Posters in Parliament 2017 by Angelica Hill

Posters in Parliament 2017: Part of the British Conference of Undergraduate Research.

Hosted by University College London.

Angelica Hill, 3rd Year English and Drama Student

On Tuesday 14th March Queen Mary’s University took two students to the fifth annual “Posters in Parliament” event at the Houses of Parliament. Sam represented undergraduate work in Physics, and I was there for the School of English and Drama. Fifty-two undergraduate students from twenty-seven Universities across the country presented and discussed their research with fellow undergraduates, lecturers, academics, and a few MPs, including Hilary Benn, Ben Bradshaw and Caroline Lucas. Students had a rare opportunity to look around the House of Commons and sit in on some of the sessions being held; whilst MPs, legislators and policy makers got to see first-hand some of the innovative research taking place around the country. It give us a platform to present our work to those who could potentially be making decision around the research in the future.

 

It was a wonderful day of intellectual stimulation, in an environment palpably buzzing with enthusiasm and excitement. It was great to find out what my fellow undergraduates in this country are working on, as well as allowing me to learn more about areas that I might otherwise have never got the opportunity to engage with, such as nanotechnology, macroeconomics, 17th Century female medical practitioners, and other interesting and obscure areas of research.

 

We began the day in Parliament Square, meeting by the statue of Mahatma Gandhi (2015), before going through security and entering the beautiful House of Commons. Surrounded by fellow students, school parties, tourists, a few recognizable BBC reporters, and a UKIP MP, we wandered around the building taking in the history and grandeur. My presentation was partly on King Henry VI, who held 23 parliaments in this building six hundred years ago, which gave a sense of moment to the occasion for me. Sam and I got to sit in on a parliamentary hearing about the state of buses in England and whether there should be a reduction, or increase in funding towards the expansion of the bus networks across England before lunch

 

Sam presented his research on how gravitational dynamical processes, including the effect of the moon Prometheus, as well as, impacts from nearby objects, can determine the structure and behaviour of the F ring of Saturn, in the first presentation session. The poster included beautiful imagery of Saturn’s rings.

 

This section lasted about an hour before there was a change over to the second presentation session, in which I was presenting my research. I had never presented in this format before, standing beside a poster outlining my work, and did not get much guidance as to how best to present the work, however it seemed the best thing to do was to create a poster which drew people towards you, outline the key points of your arguments, and then once they had looked over the poster to speak to them about your work and outline the key arguments and facts in more depth verbally, as opposed to through a text-heavy poster.

Samuel Matthews, Physics student

My research is drawn from my third year dissertation work on the denigration of “others” in comparison to the image of the English male and “Englishness” in Shakespeare’s Henry VI trilogy, exploring concepts of the Self and the Other and relating the world of Henry VI to the world in which we currently live. It was nice to bring Henry VI back to Westminster today. This poster presentation format gave me quite a nice relaxed format in which to discuss my work. Although, I think I prefer verbal, paper presentations to an audience as then everyone gets a chance to hear everyone else’s ideas.

 

Following this section there was a short break, in which we chatted amongst ourselves, whilst the judging panel conferred. This was comprised of Naomi Saint, the Univesrities Programme Manager at Parliament, Diana Beech from the Higher Education Policy Institute, and Professors Dilly Fung and Stuart Hampton-Reeves from UCL and UCLan. Prizes went to research into: the ‘informal economy and migrant communities’ (Nottingham Trent University), ‘the role of art in mental health recovery’ (Hull College Group),’aortic stiffness due to increased pulsatility in cerebral arteries’ (University of Exeter) and ‘the stakeholder experiences of pharmacists in GP clinics’ (University of Reading). Unfortunately, Queen Mary’s did not come away with any prizes, however the experience of being able to present my work was invaluable and great practice for the British Undergraduate Conference both myself and Sam, as well as about 38 other QM students who will be there in Brighton for this event at the end of April.

 

Attending Posters in Parliament was beneficial in three key ways: firstly, it was great practice presenting and discussing my research with fellow scholars who could identify and question gaps in my research, and suggest theorists and texts I could explore to broaden and deepen my research; secondly, it was a great opportunity to meet with fellow scholars and hear about other sections of research which I would otherwise not have had the opportunity to hear about; and thirdly, it is was a great opportunity to meet policy-makers and see the every-day running of the Houses of Parliament, and get some sense that our undergraduate work is noticed by and matters to people who are running the country.

 

It was an honour to represent Queen Mary’s School of English and Drama at this event, which has an open application policy. My thanks to Julian Ingle in the Learning Development Team, Jerry Brotton in English and Pen Woods in Drama for their help with this work. I would strongly encourage all students to look into and apply to this event next year as you meet some wonderful people, learn new things, as well as developing the skill of communicating your research to an array of different people, from varying backgrounds, and experiencing the joy of sharing your research with others – as well as the free food.

 

#SEDweekly – Events and Opportunities Digest – Wednesday 22 March 2017

Here’s our latest events and opportunities we’ve sourced that are coming up in the next week.

Please do get in touch if you have any listings for our next edition.

Events

THIS WEEK

Drama QUORUM Seminar: Sita Balani | Thu 22 March | 18:00 in Lock-keeper’s Cottage | QMUL Mile End

Join our special guest Sita Balani for her seminar ‘Staging identity-talk: “Albion” and “Men in the Cities”’.

 

English PGR Seminar: Herbert Tucker | Thu 23 March | 17:15 in Lock-keeper’s Cottage | QMUL Mile End

You are warmly invited to the English Postgraduate Research Seminar with Professor Herbert Tucker (University of Virginia) and his seminar entitled: ‘After Magic: Modern Charm in History, Theory, and Practice’.

 

For more SED events see our calendar here

 

Jobs & Paid Internships

3 job opportunities at Faber & Faber Books | Various Deadlines in March

  • Children’s Marketing Executive
  • Senior Marketing Executive
  • Editorial Assistant

Find out more about the roles

Opportunities & Volunteering

Call out for Performances at Sex and Puppets Cabaret from Drama Graduate Edie Edmundson 

Sexy, fun, scary, rebellious or just plain weird cabaret performances – anyone who wants to let their pure genius and
talent hang out for a generous crowd.

Sculpture, Circus, Walkabout, Clowning, Spoken Word, Improv, Object Manipulation, Puppetry, Comedy, Drag, Burlesque,
Performance Art, Music, DJs and Dance, Edibles, Sword Swallowing (of any kind)….we’re open to all wondrous things!

In progress and experimental work welcome, slots under 10 minutes. All ages, races, genders and identities encouraged. Get in touch with your ideas, we’d love to make it happen!

Date: Thursday 20th of April
Location: New Rivers Studios, N4 1DN

Drop us a line before 27th March at wonderinghands.uk@gmail.com with your name, a description of your act and any photos.

All proceeds go towards the production of Wondering Hands’ ‘Sex and Puppets’ Show, on next at Camden People Theatre 7 May 2017 during Hotbed Festival.

Download the Call Out

 

Calls for Papers

“Movement and/in/of the City” 16th June 2017 hosted at the University of Kent | Deadline: Sat 1 Apr

Download the CfP

 

Popular Performance : Localisation, commercialism and globalisation at V&A | Deadline: Thu 13 Apr

Download the CfP

 

Something Other invites submissions of text-based work and other somethings for The Second Chapter: On Migration | Deadline: Mon 27 Mar

Download the CfP

 

The Legacy of Mata Hari: Women and Transgression | Deadline Tue 30 May

Download the CfP

 

To add a listing to next week’s digest please email us by Monday 27 March 2017 at 5pm

We try and keep these listings as accurate as possible but errors can occur. Please check with the relevant party before going to an event or taking up an opportunity.

Hetta Howes chosen as BBC New Generation Thinker 2017

We are delighted to announce that  Dr Hetta Howes has been selected as one of the AHRC/ BBC Radio 3/ BBC 4 New Generation Thinkers for 2017.

This is a highly prestigious national competition for early career researchers whose work is of the highest quality and greatest public interest.

The high standard of Hetta’s public engagement work has been recognised and now she will have opportunities to make programmes with the BBC.

Hetta Howes’s research has explored the relationship between women and water, tracing misogynist rhetoric back to the Middle Ages. Her new project will examine the part that fluids play in medieval life and how this might connect to today.

Hetta is interested in how women are treated or portrayed in medieval literature, and how women’s writing challenges or subverts various medieval female stereotypes as well as challenging our own modern preconceptions of women in that time.

Read more in the announcement here

 

SED welcomes Professors Patrick Flanery and David Schalkwyk

I am delighted to announce that we shall have two new professors in the English Department from September 2017.

Patrick Flanery’s first novel was the internationally acclaimed Absolution (2012) and his most recent novel is I Am No One (2106). He is currently writing a fourth novel on the lives of those affected by the Hollywood Blacklist. After his early education in the US he left to do a PhD at Oxford on the publishing history of Evelyn Waugh’s work. He has been Professor of Creative Writing at Reading since 2014 and joins us with that same title, to lead our new programme; English with Creative Writing.

David Schalkwyk is an internationally renowned Shakespeare scholar who left South Africa in 2008 to become Director of Research at the Folger Shakespeare Library in Washington D.C.. Since 2014 he has been Academic Director of Global Shakespeare, a Warwick-QMUL collaboration which is coming to an end this August. He brings two research strands which dovetail very well with existing areas of strength in teaching and research in both English and Drama: Shakespeare, philosophy, and theory; South African prison writing.

 

Photos from left to right:

Professor Patrick Flanery

Professor David Schalkwyk – Photo by Julie Ainsworth. Courtesy of Folger Shakespeare Library.

 

#SEDweekly – Events and Opportunities Digest – Wednesday 15 March 2017

Here’s our latest events and opportunities we’ve sourced that are coming up in the next week from tomorrow Thursday 16-Wednesday 22 March.

Please do get in touch if you have any listings for our next edition.

Events

THIS WEEK

English PGR Seminar: Dr Adam Kelly, University of York | Thu 16 Mar | 18:15 in Room GC203 | QMUL Mile End

We’re delighted to invite you to the next English Postgraduate Research Seminar, with Dr Adam Kelly from the University of York, who will be presenting a seminar entitled ‘The Novel at the End of History: Donald Trump and Infinite Jest’.

 

Inaugural Lecture: Warren Boutcher: Beyond English: Going back into (literary) Europe | Thu 16 Mar | 18:30 – 21:30 | QMUL Mile End

Join Warren Boutcher, Professor of Renaissance Studies and Head of School of English and Drama, for his Inaugural Lecture.

Register online here

 

Queen Mary Centre for the History of the Emotions presents: Emotions, Identity and the Supernatural: The Concealed Revealed Project | Tue 21 March | The Horse Hospital, Covent Garden | Free

Owen Davies (University of Hertfordshire) and Ceri Houlbrook (University of Hertfordshire) will talk about their work on the Concealed Revealed project.

 

Widening the Net: Collaborating between Digital and Performance | Tue 21 Mar | 16:00-18:00 | QMUL – Mile End

Both MAT and the QMUL School of Drama have a disciplinary investment in digital technologies as a means for producing performance, and as a theoretical mode of engagement. From digital archival practices to motion-capture, quantitative approaches to stage blocking, to cyborg and automated performance, MAT and SED scholars use radically different theoretical frameworks and material practices, but are driven by
a shared investigation of how people perform and behave, and how digital technology influences this.

How can our knowledges support and inform each other? Such cross-over and conversation is common and essential to the growth and development of humanities and technology research.

As a way to fill in the gaps in our departmentalknowledge of each other, and our methodologies, ideologies and practical resources, PhD candidates Amy Borsuk of SED and Vanessa Pope of MAT are widening the net as part of Intersections, a series of MAT interdisciplinary events.

We invite staff and postgraduates from SED and MAT to meet and share their research on Tuesday, 21 March from 4–6 pm in Rehearsal Room One in ArtsOne Building.

For this pilot event, we invite guests to give a 1 minute presentation on your research as formally or informally
as you like, highlighting what you are researching and what you would like to know about the other department, other practices, or other disciplines.

Register to attend

 

For more SED events see our calendar here

 

Jobs & Paid Internships

No listings this week.

Opportunities & Volunteering

Flare Festival Call Out for Performances | Deadline 17 March

The Flare International Festival of New Theatre, taking place in Manchester 4-8 July this summer alongside the Manchester International Festival, is still looking for challenging and original new theatre pieces by existing and recent students for its Future Flares strand (the main call for artists is also still open). Full details at http://www.flarefestival.com/future-flares/

 

Calls for Papers

 

Queer Localities: a two-day international queer history conference at Birkbeck, University of London | 30 November – 1 December 2017 | Deadline for Proposals: Mon 20 Mar

Download the CfP

Popular Performance : Localisation, commercialism and globalisation at V&A | Deadline: Thu 13 Apr

Download the CfP

 

To add a listing to next week’s digest please email us by Monday 20 March 2017 at 5pm

We try and keep these listings as accurate as possible but errors can occur. Please check with the relevant party before going to an event or taking up an opportunity.

Drama ranked 30th and English 32nd in the world in QS World University Rankings by Subject (2017)

In a prestigious survey of 4,438 universities, Drama at Queen Mary University of London (QMUL) has risen, remarkably, from the 51-100 range last year to 30th in the world this year in the Performing Arts subject category. English has continued its steady ascendance since 2013, climbing this time from 35th to 32nd in the world in the English Language and Literature subject category.

The QS World University Rankings by Subject is considered to be among the most trusted of league tables. Rankings are based on academic and employer reputations and research citations per faculty (the number of times the research is credited in the work of other academics).

 

Professor Warren Boutcher (Head of School of English and Drama) said:

“I am delighted to see our world-class English and Drama departments continue to ascend the QS World University Rankings by Subject, now heading towards the top 30. This reflects our upward curve in terms of the excellence we are achieving in both disciplines, and promises a very bright future.”

 

 Professor Matthew Hilton, Vice-Principal (Humanities and Social Sciences) said:

“I am especially pleased for colleagues in the Drama Department, now ranked 30th in the world.”

 

Find out more about our English Department

Find out more about our Drama Department

#SEDweekly – Events and Opportunities Digest – Wednesday 8 March 2017

Here’s our latest events and opportunities we’ve sourced that are coming up in the next week.

Please do get in touch if you have any listings for our next edition.

Events

THIS WEEK

James Vigus (QMUL, English): ‘A Victorian Friendship: The Correspondence of Sara Coleridge with Henry Crabb Robinson’ | Wed 8 Mar | 12:45-13:45 | QMUL – Mile End

The Lunchtime Seminar is a friendly place for established and emerging scholars with interests in religion and literature including sacred texts and objects, theoretical writing about religion, the practices of domestic devotion, and religious writing, publishing, and reading to meet and discuss ideas. Researchers from QMUL and beyond are welcome. Please feel free to bring your lunch.

 

 

English PGR Seminar Series: Bernard Schwartz (Wed 8 Mar) and Charlotte Ribeyrol (Thu 9 Mar) | 17:15 | QMUL, Mile End

This week we welcome 2 distinguished scholars to our postgraduate seminar. Bernard Schwartz is on Wednesday with a seminar entitled “Efforts of Commemoration: Dylan Thomas and the Legacy of Literary Afterlives” and Charlotte Ribeyrol on Thursday with a seminar entitled: “The Golden Stain of Time’: Remembering the colours of Amiens cathedral”.

 

Launch of Stuart Hall’s Selected Political Writings | Thu 9 Mar | 18:00 | UEL Stratford 

A line up of top speakers including our very own Prof. Bill Schwarz  (Queen Mary University) and a drinks reception to celebrate the book and the establishment of a Stuart Hall Fellowship at the University of East London.

Admission is free, but tickets should be booked in advance.

 

Quorum Drama Seminar Series: Lynette Goddard | Wed 8 Mar | 18:00-20:00 | QMUL – Mile End

‘Back in Time For Trinidad: Errol John’s Moon on a Rainbow Shawl on the Contemporary British Stage’ by (Lynette Goddard – Royal Holloway).

 

Sexual Cultures Research Group present: Juliet Jacques author of ‘Trans: A Memoir’ | Mon 13 Mar | QMUL, Mile End

Please join us for the first public event from Sexual Cultures Research Group: we are pleased to be hosting the writer Juliet Jacques.

Juliet Jacques has published two books: Rayner Heppenstall: A Critical Study (Dalkey Archive Press, 2007) and Trans: A Memoir (Verso, 2015). As well as contributing to several anthologies, her short fiction has appeared in Five Dials, Berfrois, 3:AM and elsewhere; her essays and journalism have featured in Granta, Sight & Sound, Wire, The Guardian and many other publications and websites. She lives in London.

Juliet will read from Trans: A Memoir and then be in conversation with Sam McBean. The event will conclude with an audience Q&A. Drinks reception to follow. The event takes place on 13 March 2017, at 6pm, in the Arts Lecture Theatre in ArtsOne Building.

It is FREE to attend and we’re not taking bookings. All welcome.

The Sexual Cultures Research Group has a new website: https://sexualcultures.wordpress.com/

We also have a Facebook page: https://www.facebook.com/qmsexcult/

The event has a Facebook page too: https://www.facebook.com/events/1227341583981527/

 

Literature and the History of International Law Workshop | Wed 15 Mar | QMUL – Mile End

On 15 March the Centre for Law and Society in a Global Context will be hosting leading literary & legal theorists  & historians to discuss the role of literature in the history of international law.

 

For more SED events see our calendar here

 

Jobs & Paid Internships

QMUL Palgrave McMillan Internship | Deadline: Tue 14 Mar

Palgrave Macmillan is seeking an enthusiastic and ambitious student with a keen interest in academic publishing, to join us in our London offices for a week-long internship.

 

Marketing Manager | The Yard Theatre, Hackney Wick | Deadline 13:00 on Mon 27 Mar

We are looking for a person with a keen interest in The Yard to lead on our marketing and communications, ensuring they embody our values and inspire audiences to see our work. The Marketing and Communications Manager will play a vital role in the delivery of The Yard’s mission and brand. Principally this involves having responsibility for growing our profile, driving audience development and box office growth and managing press relationships, print, advertising and digital communications.

Opportunities & Volunteering

Help Luke Conolly write an article about insecurity

Add your thoughts on insecurity here to help inform an article by Luke Connolly.

 

Symposium: Drama Department, Queen Mary University, London (Thursday 27 April, 2017)Live Art Event: Bethnal Green Working Men’s Club, London (Saturday 29 April 2017)CUNTemporary is now accepting proposals for a new episode of “Deep Trash”, the unique multi-disciplinary exhibition and performance club night in London.Calling for performances, videos and artworks to be shown on Saturday 29 April 2017. We accept proposals by artists of any artistic background and nationality. We are also keen to hear from writers and academics responding to the call either in written form (theory and cross-genre) or through a performative lecture. 

Calls for Papers & Contributions

 

No listings this week.

To add a listing to next week’s digest please email us by Monday 13 March 2017 at 5pm

We try and keep these listings as accurate as possible but errors can occur. Please check with the relevant party before going to an event or taking up an opportunity.

Speaking at The Third Annual Edinburgh Undergraduate Literature Conference by Angelica Hill

On Sunday 19th February I headed off to King’s Cross Train Station to catch an 11 o’clock train up to Edinburgh for the Annual Edinburgh Undergraduate Literature Conference. The theme of this conference was “Diversion and Connection”, and Queen Mary’s School of English and Drama had generously sponsored my travel and accommodation for the event. I had four long hours alone on the train to go over, and over, and over, my presentation, getting progressively more nervous and apprehensive. Since I wasn’t presenting until the following morning I tried to take my mind off my nerves by working on other things too.

I got into Edinburgh at about 4 o’clock in the evening, dropped my things at the cheap hotel I had found 5 minutes from the station, and spent the evening walking around the city. I hadn’t been to Edinburgh before. It is beautiful! If I were to give you one piece of advice when attending conferences outside of London, aside from making the most of the intellectual and academic opportunities, it would be to be a tourist. I really enjoyed taking the time to explore the city, the university and to learn a little about the area. It was great to see where fellow students are making their work. Edinburgh has such a rich literary, artistic, and cultural landscape that it was exciting to have the chance to be there for a little bit.

I had submitted a proposal in January this year to speak about my 3rd year dissertation research into Shakespeare’s glorification of the 17th Century concept of “Englishness” in his trilogy of Henry VI plays. These plays were produced in the 1590s but stage the struggles and bloodshed of the 1420s-1470s amongst the English and between the English and French. Shakespeare emphasizes the differences and divisions between the English/ foreigners (the French); men/ women and Church of England/ Catholics.  With only 15 minutes to speak, I focused on the presentation of gender and, in particular, on the characterisations of Joan of Arc and Margaret of Anjou in the plays. I considered both the Elizabethan context and the modern-day resonance of the gender and xenophobia issues. In today’s post-Brexit Trumpian world this work contributes to wider urgent conversations around cultural appropriation, nationalism, and the portrayal of other ethnicities, sexes, and religions.

The conference divided into three sections. The first section of the day consisted of two groups of undergraduates (including myself) presenting literature papers ranging from The Medieval and Shakespeare to 18th and 19th Century writers. Speakers spoke about Virginia Woolf and the progression of feminist theory; the contrast between the representation of male and female desire in Troubadour poetry; the way Merlin and King Arthur are presented in Medieval literature; as well as an exploration of the boom in children’s literature during the Victorian era. My presentation went well which was a relief. Everyone reacted viscerally to the photo montage of Trump, Farage, Wilders, May, and others, with which I concluded my presentation. I was delighted that this resonance of the ideas with current issues provoked lots of conversation and I had some really stimulating questions about crossover work and ideas from other peers presenting.

After the tea break (where I am unashamed to say I stuffed my face on all the cakes, cookies, and free coffee ), another two panels of undergraduates spoke firstly about 20th Century Literature, and then International Literature. The speakers in this section spoke about the relation between the genocide of Australian aboriginal people and Jewish people in the Holocaust through literature (with this speaker having flown in from Canada); the dichotomy between the East and West as expressed through Arab literature, with a specific focus on the work of Rabih Alameddine, Chinese language internet literature, and the struggles of national identity and sexuality in Mexican literature.

The day concluded after lunch (again free and plentiful) with a Postgraduate Panel talking about their research in Universities including Edinburgh, York, Durham, Oxford, Cambridge, Canada and Spain, the benefits of postgraduate study. We also heard from the conference Keynote Speaker, Dr Richard Walsh from the University of York, about narrative structure and wonder.

Attending this conference was beneficial in three key ways: firstly, it was great practice presenting and discussing my research with fellow literary scholars who could identify and question gaps in my research and suggest theorists and texts I could explore to broaden and deepen my research; secondly, it was a great opportunity to hear about other sections of literary research which I would have otherwise not had the opportunity to hear about; and thirdly, it is extremely enjoyable to meet with fellow literature lovers and hear about other university courses, and experiences as I go on to consider the possibility of Masters degrees and further academic study in the future. There was a lot of free food, coffee, tea, and wine to drown our nerves with, and everyone was really friendly and constructive. I have set up an online group for participants where we have already shared our written papers and exchanged messages since the conference. I hope to keep in touch with them.

It was an honour to represent Queen Mary’s English Department at the conference, which has an open application policy.  I would recommend other students to make an application to attend next year.

In the meantime, The Centre for Early Modern Studies at King’s College London is holding a Bodies in Motion in the Early Modern World Conference this June. Worth trying to go to it, or there is also the opportunity to submitting a poster, linked to a paper of yours, for presentation at the conference. If you’re interested email cemsconference@gmail.com.

Win tickets to a special event at Shakespeare’s Globe with Jerry Brotton #SEDbookforlife

We were reading this rather excellent article for World Book Day (2 March) on Huck Magazine’s website about books that have the power to transform our lives.

So we decided to launch a competition on World Book Day 2017 to celebrate the books that transform us.

We’ve got 3 prizes to give away to celebrate the launch of our very own Jerry Brotton’s :

  • 1 x This Orient Isle paperback + 2 x tickets to A Wheeling and Extravagant Stranger: Othello, Elizabeth and Islam event with Jerry Brotton on Thursday 9 March.
  • 2 runners up prizes of 2 x tickets to Jerry Brotton’s event (detailed above).

TO ENTER TO WIN SIMPLY ANSWER THIS:

Which book has transformed your life?

Tweet with the hashtag #SEDbookforlife:

.

Or email us: sed-web@qmul.ac.uk with your name and answer.


Information about the event

For generations race has defined interpretations of Othello. Important though this tradition has been in addressing issues like civil rights and apartheid, Jerry Brotton will argue in this talk that current preoccupations with race obscure how Elizabethan England’s religious and imperial relations with the Islamic world shaped the dramatic action of plays like Othello.

In close readings of key passages (Othello’s ‘travel’s history’, the ‘Willow song’ scene and Othello’s last speech), Professor Brotton offers a new interpretation of the play that resonates with our current anxieties about religious extremism, immigration and cosmopolitanism.

To learn more, read Jerry Brotton’s blog ‘On Othello, Elizabeth and Islam’.

“Where better to speak about Othello and its reflection of our current global predicament than at a place called the Globe? Such predicaments are now understood as much through debates about faith and belonging as race…”

Terms and conditions: Competition closes on Tuesday 7 March at 5pm GMT. The competition is open to anyone based in the UK. 3 winners will be selected to win a prize. There are 3 prizes available of:

  • 1 x This Orient Isle paperback + 2 x tickets to A Wheeling and Extravagant Stranger: Othello, Elizabeth and Islam event with Jerry Brotton on Thursday 9 March.
  • 2 runners up prizes of 2 x tickets to Jerry Brotton’s event (detailed above).

 

#SEDweekly – Events and Opportunities Digest – Wednesday 1 March 2017

Here’s our latest events and opportunities we’ve sourced that are coming up in the next week (from Thursday to Wednesday).

Please do get in touch if you have any listings for our next edition.

Events

 

THIS WEEK

English PGR Seminar Series: David Higgins | Thu 2 March | QMUL, Mile End

We welcome Dr. David Higgins to our English Postgraduate Research Seminar for a session entitled: ‘Planets turn to ashes’: Byron, Climate Change, and Extinction.

For more SED events see our calendar here

 

Jobs & Paid Internships

No listings this week.

Opportunities & Volunteering

New Diorama Theatre Artist Development Programme

“New Diorama Theatre has just launched the search for the best six graduating, or recently graduated, companies from across the UK to take part on our artist development programme 2017.

Companies taking part showcase their work at New Diorama, receiving 100% of their box office and a series of workshops lead by industry professionals on subjects such as Marketing, Access, Finances, Charity status, Fundraising and producing amongst others. They also receive the support of New Diorama Theatre’s staff team over the course of the whole year, and beyond!

Companies have gone on from the course to be part of the Emerging Companies programme, which has featured companies such as LOST WATCH, BREACH THEATRE and SMOKE AND OAKUM, who are now both regular features on the New Diorama Theatre season programme.

We are looking for the next really exciting generation of theatre companies, and your course was highlighted to us as somewhere encouraging the making of unique, exciting theatre. If you know anyone who might be interested in taking part on our Graduate Emerging Companies programme, please send them this link, or ask them to get in touch with me directly and I can advise them on how to apply. https://goo.gl/rZaKEc

Companies can be within two years of graduating.”

 

Call Out For Artists for Freshly Scratched – Battersea Arts Centre | Deadline: Mon 3  Apr

“Freshly Scratched is an open platform for emerging artists to try out new ideas, in an early stage of development, in front of an audience.

We are interested in artists that push boundaries, who want to reach out to people who would not otherwise go to art centres, and we are interested in work that looks and feels new. Each idea can last anything up to ten minutes, and we usually programme six or seven pieces alongside each other, creating an evening of rough and ready flashes of inspiration.

Want to get involved? Visit our website for more information on how to apply.”

 

Calls for Papers & Contributions

Literary London Conference 2017 – Call for Papers | Deadline: Fri 17 Mar

Literary London Society is looking for papers around the theme of: ‘Fantastic London: Dream, Speculation and Nightmare’.

Details about the CfP

To add a listing to next week’s digest please email us by Monday 6 March 2017 at 5pm

We try and keep these listings as accurate as possible but errors can occur. Please check with the relevant party before going to an event or taking up an opportunity.

Writers on Writing events at the London Review Bookshop in March 2017

The Department of English is co-hosting three events at the London Review Bookshop in collaboration with New York’s 92nd Street Y cultural centre (92Y). Featuring:

The Writers on Writers series invites contemporary authors to discuss the legendary voices that have meant the most to them.

Each conversation is led by Bernard Schwartz, who is a Distinguished Visiting Fellow within the Department of English, and the series is a collaboration between him and QMUL’s Dr Peter Howarth.

Tickets are available from: www.londonreviewbookshop.co.uk/events.

MA English Studies graduate Richard Dodwell talks about his new theatre work PLANES

MA English Studies graduate Richard Dodwell is presenting his new show PLANES at The Yard Theatre in Hackney Wick from Tuesday 31 January.

 

PLANES | Tue 31 Jan-Sat 4 Feb | The Yard Theatre, Hackney Wick | £15/£12 (conc)

 

Tell us about your new work PLANES? How did it come about?

PLANES is a “live tuning” into missing things. By that I mean it’s a live work for theatre that explores notions of remembering and processing difficult experiences, with a live accompanying score by the poet and composer Timothy Thornton. In this case, that difficulty is the suicides of people close to me. Mental Health is in crisis and more and more people seem to be suffering as services are slashed and the world becomes crueler. I suppose, as someone trying to survive, the work emerged to try and harness the truth of both what grief is and how we move forwards—but it’s a tough one! I did a couple of scratch previews of that work, with the help of Arts Council England and Battersea Arts Centre, and then The Yard invited me to present the work as part of their NOW 17 festival of new performance. So I was really chuffed about that.

 

Who or what inspires you to make theatre work?

Anything and everyone really. I try to make work that’s honest and not too obscured by style and posturing, although inevitably when you “make” something it always runs the risk of being perceived as such. I guess that’s the magic of any kind of art making or creativity—the multitude of ways it can be perceived. I’m not here to moderate or manipulate anyone’s feelings, although I am trying to create a world where people find some sort of connection. I’m hugely inspired by the European avant-garde and the New York experimental theatre of the 70s and 80s. The Wooster Group particularly are a huge inspiration, as is the writer and filmmaker Derek Jarman. I guess I want to make work that documents the experience of being alive, here and now, without too much thought.
 

What was studying English Studies at Queen Mary like? Do you have any favourite memories or tutors?

Fantastic. I have very warm memories there. The English Department is second to none: great teaching, excellent resources and the chance to really engage with literary theory—which has influenced my creative practice hugely. My favourite memory is meeting Matthew, who studied on the MA with me. He was a wonderful friend and support throughout the course, and introduced me to lots of new left-wing and radical revolutionary thought. He was a wonderful person: sensitive, vibrant and hugely caring. Sadly, Matthew took his own life in October last year. I miss him hugely. This show is partly dedicated to him.

 

For more information about Richard’s work please visit his website here