#SEDweekly – Events and Opportunities Digest – Wednesday 1 March 2017

Here’s our latest events and opportunities we’ve sourced that are coming up in the next week (from Thursday to Wednesday).

Please do get in touch if you have any listings for our next edition.

Events

 

THIS WEEK

English PGR Seminar Series: David Higgins | Thu 2 March | QMUL, Mile End

We welcome Dr. David Higgins to our English Postgraduate Research Seminar for a session entitled: ‘Planets turn to ashes’: Byron, Climate Change, and Extinction.

For more SED events see our calendar here

 

Jobs & Paid Internships

No listings this week.

Opportunities & Volunteering

New Diorama Theatre Artist Development Programme

“New Diorama Theatre has just launched the search for the best six graduating, or recently graduated, companies from across the UK to take part on our artist development programme 2017.

Companies taking part showcase their work at New Diorama, receiving 100% of their box office and a series of workshops lead by industry professionals on subjects such as Marketing, Access, Finances, Charity status, Fundraising and producing amongst others. They also receive the support of New Diorama Theatre’s staff team over the course of the whole year, and beyond!

Companies have gone on from the course to be part of the Emerging Companies programme, which has featured companies such as LOST WATCH, BREACH THEATRE and SMOKE AND OAKUM, who are now both regular features on the New Diorama Theatre season programme.

We are looking for the next really exciting generation of theatre companies, and your course was highlighted to us as somewhere encouraging the making of unique, exciting theatre. If you know anyone who might be interested in taking part on our Graduate Emerging Companies programme, please send them this link, or ask them to get in touch with me directly and I can advise them on how to apply. https://goo.gl/rZaKEc

Companies can be within two years of graduating.”

 

Call Out For Artists for Freshly Scratched – Battersea Arts Centre | Deadline: Mon 3  Apr

“Freshly Scratched is an open platform for emerging artists to try out new ideas, in an early stage of development, in front of an audience.

We are interested in artists that push boundaries, who want to reach out to people who would not otherwise go to art centres, and we are interested in work that looks and feels new. Each idea can last anything up to ten minutes, and we usually programme six or seven pieces alongside each other, creating an evening of rough and ready flashes of inspiration.

Want to get involved? Visit our website for more information on how to apply.”

 

Calls for Papers & Contributions

Literary London Conference 2017 – Call for Papers | Deadline: Fri 17 Mar

Literary London Society is looking for papers around the theme of: ‘Fantastic London: Dream, Speculation and Nightmare’.

Details about the CfP

To add a listing to next week’s digest please email us by Monday 6 March 2017 at 5pm

We try and keep these listings as accurate as possible but errors can occur. Please check with the relevant party before going to an event or taking up an opportunity.

Writers on Writing events at the London Review Bookshop in March 2017

The Department of English is co-hosting three events at the London Review Bookshop in collaboration with New York’s 92nd Street Y cultural centre (92Y). Featuring:

The Writers on Writers series invites contemporary authors to discuss the legendary voices that have meant the most to them.

Each conversation is led by Bernard Schwartz, who is a Distinguished Visiting Fellow within the Department of English, and the series is a collaboration between him and QMUL’s Dr Peter Howarth.

Tickets are available from: www.londonreviewbookshop.co.uk/events.

MA English Studies graduate Richard Dodwell talks about his new theatre work PLANES

MA English Studies graduate Richard Dodwell is presenting his new show PLANES at The Yard Theatre in Hackney Wick from Tuesday 31 January.

 

PLANES | Tue 31 Jan-Sat 4 Feb | The Yard Theatre, Hackney Wick | £15/£12 (conc)

 

Tell us about your new work PLANES? How did it come about?

PLANES is a “live tuning” into missing things. By that I mean it’s a live work for theatre that explores notions of remembering and processing difficult experiences, with a live accompanying score by the poet and composer Timothy Thornton. In this case, that difficulty is the suicides of people close to me. Mental Health is in crisis and more and more people seem to be suffering as services are slashed and the world becomes crueler. I suppose, as someone trying to survive, the work emerged to try and harness the truth of both what grief is and how we move forwards—but it’s a tough one! I did a couple of scratch previews of that work, with the help of Arts Council England and Battersea Arts Centre, and then The Yard invited me to present the work as part of their NOW 17 festival of new performance. So I was really chuffed about that.

 

Who or what inspires you to make theatre work?

Anything and everyone really. I try to make work that’s honest and not too obscured by style and posturing, although inevitably when you “make” something it always runs the risk of being perceived as such. I guess that’s the magic of any kind of art making or creativity—the multitude of ways it can be perceived. I’m not here to moderate or manipulate anyone’s feelings, although I am trying to create a world where people find some sort of connection. I’m hugely inspired by the European avant-garde and the New York experimental theatre of the 70s and 80s. The Wooster Group particularly are a huge inspiration, as is the writer and filmmaker Derek Jarman. I guess I want to make work that documents the experience of being alive, here and now, without too much thought.
 

What was studying English Studies at Queen Mary like? Do you have any favourite memories or tutors?

Fantastic. I have very warm memories there. The English Department is second to none: great teaching, excellent resources and the chance to really engage with literary theory—which has influenced my creative practice hugely. My favourite memory is meeting Matthew, who studied on the MA with me. He was a wonderful friend and support throughout the course, and introduced me to lots of new left-wing and radical revolutionary thought. He was a wonderful person: sensitive, vibrant and hugely caring. Sadly, Matthew took his own life in October last year. I miss him hugely. This show is partly dedicated to him.

 

For more information about Richard’s work please visit his website here