English and Drama Newsletter – August 2020 Edition

Congratulations to our class of 2020 from all of us in the School of English and Drama

Watch our SED video | Watch Mojisola Adebayo’s talk in full

PLUS: We can’t wait to welcome our new students on A-level results day next Thursday 13 August. We have our fingers crossed for students getting results. If you’re thinking of joining one of our inspiring programmes through clearing please do join one of our catch ups and we can help. We are on UCAS embargo so can’t send batch email from tomorrow until results day but you can contact us.

NOT FORGETTING: It’s been an exciting month so far including a Booker Prize nomination for Gabriel Krauze, the launch of books by Rachael Gilmour and Huw Marsh and The Guardian reviews Lois Weaver and Daniel Oliver‘s work.


Our student of the month for August is Maria Messias Mendes English with Creative Writing.

Online Events

RESULTS DAY AND CLEARING CATCH UPS

We are hosting some English and Drama drop-in sessions for incoming students who are either offer holders, in clearing or want to make a new application. We’d love to see you there:
Results Day & Clearing Drop In #1 – 13 Aug – 11am
Results Day & Clearing Drop In #2 – 13 Aug – 4pm


Register and get reminders here

Japan

Japan Literatures of Remembering. A Panel Discussion on Fiction, Poetry and Anime
13 August, Online – Free via Japan Society

This is the online launch of the special issue of Wasafiri: Japan Literatures of Remembering, published to coincide with the 75th anniversary of the end of the World War Two in the Pacific.

It is part of the Japan-UK Season of Culture

The discussion will reflect on the transformations of Japanese identity in literature, exploring themes of time, memory and diversity. We are fortunate to be joined by Mimi Hachikai in Japan who will be reading her poetry alongside her translator Kyoko Yoshida.

Find out more

News & Links

Rachael Gilmour and Huw Marsh

Alumni Profiles Recently published by our very own alumna Nathalie Grey include:

Will Bowers (English) has added An Opening in a Holland House Dinner Book, an entry for the European Romanticisms in Association.

Bridget Escolme and Maria Turri (teach on MSc Creative Arts and Mental Health) are running writing retreats for their students.
Rachael Gilmour (English)’s book ‘Bad English: Literature, multilingualism, and the politics of language in contemporary Britain’ has been published.

Read more about the book

Aysel Dilara Kasap (English with Creative Writing)has written a thoughtful piece for CUB Magazine onClass of 2020: Things We Lost In The Fire.

Gabriel Krauze

Gabriel Krauze (English alumnus) has been longlisted for the Booker Prize 2020 for his debut novel about London gang life, Who They Was, which is published in September 2020.

Read more here | Pre-order the book

Journal

Hari Marini (Drama) is featured in a special issue of Journal of Greek Media and Culture 3.2 (Oct 2017) ‘Dramaturgies of change: Greek theatre now‘ edited by Marissia Fragkou & Philip Hager and it is now free-to-download for a month.

Huw Marsh (English) has published his book The Comic Turn in Contemporary English Fiction: Who’s Laughing Now?‘ through Bloomsbury.

Read more about the book

Aoife Monks (Drama) is published in Times Higher Education with a piece called Artistic collaborators are not there to make your research sound fun.

Network: QMUL Centre for the Creative and Cultural Economy has launched two new collaborative community projects: Developing a community led ‘Gentrification/Regeneration Policy’ for BrixtonHow does ‘The Match’ add social value?

Dadders

Daniel Oliver (Drama) has released online lockdown TV show Dadderrs with Frauke Requardt via The Place. They maintain social distancing by reimagining their 2019 stage show ‘Dadderrs’ within their own home as a digital boxset. The show has a 4 star review in the Guardian here.

Watch the show here

Horizons

PEACH Magazine has published it’s final issue for this academic year: Horizons. You can also follow PEACH on: Instagram / Twitter / Facebook.
Read it here


Karina Lickorish Quinn
(English PhD)’s debut novel Mancharisqa is to be published by Oneworld after a competitive auction.

Read more here

Website updates Check out the latest updates including:

Lois Weaver (Drama) will be talking about her history of queer performance culture and current work for one Manchester International Festival‘s online support sessions.

messy bitches

Lydia Wilcox (Live Art Master’s Student) has been announced as runner up on the Association of Art History Dissertation Prize for the essay ‘ ‘Messy Bitches: The Use of Mess in Contemporary Feminist Performance’.

Read more here

Penelope Woods (Drama) is part of a project team organising workshops on colonialism and the senses with local schools in Tower Hamlets as part of Being Human Festival in November 2020.

New Undergraduate English and Drama Student Information 2020-21

We can’t wait to welcome new undergraduate students from 14 September 2020 for welcome week!

Please see below for key info for undergraduate students and do get in touch if you have any questions.

Key Information

Enrolment

For September 2020, all student enrolments will be completed online in absentia and you will not have to attend campus in order to become fully enrolled. Once you have enrolled be sure to join Senate House Library too!

More information

IT Account

Your IT account will usually be set up within 14 days so please do keep an eye out for activation emails on and after results day.

Welcome Week

Welcome Week from Monday 14 September 2020 is a time to get to know your course, personal advisor and discover all the things you can be part of at Queen Mary.

We will be publishing details of welcome week here soon.

First Week of Teaching / Your Timetable

Your timetable will begin on week commencing Monday 21 September 2020 and you should get this shortly before then along with your IT login. Be sure to check your junk mail for the email you registered with UCAS so you don’t miss anything important.

All online classes on your timetable are compulsory unless they say optional just as they would be in person.

Key Subject Preparation & Information

Drama

Also why not watch our Ask an Academic seminar with Shane Boyle…

English

Also why not watch our Ask an Academic seminar…

Questions & Contacts

New books published by Rachael Gilmour and Huw Marsh

The School of English and Drama are delighted to announce the publication of ‘Bad English‘ by Dr Rachael Gilmour and ‘The Comic Turn in Contemporary English Fiction‘ by Dr Huw Marsh.

Read more about the books below…

Bad English

Literature, multilingualism, and the politics of language in contemporary Britain

Dr Rachael Gilmour

Bad English investigates the impact of increasing language diversity, precipitated by migration, globalisation, and new forms of communication, in transforming contemporary literature in Britain. Considering writers whose work engages experimentally, playfully, and ambivalently with English’s power, while exploring what it means to move between forms of language, it makes the case for literature as the pre-eminent medium to probe the terms of linguistic belonging, and for a diverse and growing field of writing in Britain defined by its inside/outside relationship to English in its institutionalised forms.

Bad English offers innovative readings of writers including James Kelman, Tom Leonard, Suhayl Saadi, Raman Mundair, Daljit Nagra, Xiaolu Guo, Leila Aboulela, Brian Chikwava, and Caroline Bergvall. Drawing on insights from applied linguistics and translation studies as well as literary scholarship, it will appeal to students and academics across these disciplines.

The Comic Turn in Contemporary English Fiction

Who’s Laughing Now?

Dr Huw Marsh

The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.

Student of the month: Maria Messias Mendes – BA English with Creative Writing

I’m a storyteller and my time is dedicated to do justice to the stories I tell.

Tell us about your time at QMUL. What have been your highlights?

My time at QM has been truly special. I‘ve had the chance to learn so much about literature but also the craft of writing.

How has your course at Queen Mary helped you to progress into the world outside? What’s next?

My course has given me the tools to pursue my passions and develop further even after I have left university.

Aside from course content what have been your favourite elements of the experience of studying here as a whole?

I have found theatre to be really complimenting to my studies and many of my fondest memories of the last few years have been in rehearsal rooms.

Tell us about your life outside Queen Mary including any projects, ambitions or jobs you’ve had.

I love painting, dancing and singing so I try to find time to do that.

What could be improved to enhance future students’ experience at Queen Mary?

I think being open to change is key for a more positive future. This does not mean just adapting but critically thinking about what change is positive and useful and which one might be damaging.

Find out more about our BA English with Creative Writing

Results Day & Clearing Zoom Catch Ups for English and Drama Undergraduate 2020 Applicants

We are available to chat online for the following sessions for undergraduate applicants for 2020 entry.


English and Drama – Results Day – Clearing Drop In #1

Thu 13 Aug – 11am (30 mins)

Register here


English and Drama – Results Day – Clearing Drop In #2

Thu 13 Aug – 4pm (30 mins)

Register here


School of English and Drama Post Clearing Drop In

Wed 19 Aug – 11am (1 hour)

Register here

Can’t make these dates?

Email us to speak to someone: sed-web@qmul.ac.uk

British Academy Postdoctoral Fellowship Scheme 2020-21 – Applications Invited

Early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme are invited to get in contact with us as soon as possible

Deadline for applications: midday on Wednesday 9 September 2020

The School of English and Drama invites early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme to get in touch by submitting:

(1) an explanation of the reason(s) for your choice of Queen Mary as the host institution (150 words maximum)

(2) an outline of your proposed programme of research (1,500 words maximum)

(3) details of your planned research outputs, e.g. monograph, journal article(s), book chapter(s), digital resources, events, other (please specify) (300 words maximum)

(4) a list of existing publications (1 page maximum)

(5) a CV (2 pages maximum)

Please submit the above documents to Dr Huw Marsh, Research Manager, sed-research@qmul.ac.uk, by no later than midday on Wednesday 9 September 2020. Please state ‘British Academy PDRF’ in the subject line.

Your application should demonstrate:

  • that you are eligible according to the BA’s criteria
  • the excellence of
    • your research track record and professional track record (where relevant);
    • your academic record;
    • the research outputs you propose, how you will structure, pursue, and complete it in the time frame, and its importance;
  • the relevance of QMUL SED to your research and vice versa;
  • who you would like as a mentor and why.

You are strongly encouraged, before submitting your application and time permitting, to find a mentor, provisionally agree their support, and get some feedback from them on a draft application.

Full scheme details can be found on the British Academy website: http://www.britac.ac.uk/british-academy-postdoctoral-fellowships

All outline proposals will be considered by our Directors of Research and those that we give institutional support to will have approximately one month to finalise their online application, due in mid-October 2020 (precise date tbc by the British Academy).

Queen Mary English Alumnus Gabriel Krauze’s novel ‘Who They Was’ longlisted for Booker Prize 2020

The School of English and Drama at QMUL is delighted and proud that our alumnus Gabriel Krauze has been nominated for the 2020 Booker Prize longlist.

Gabriel studied English at Queen Mary University of London graduating in 2009 and Who They Was is his debut novel. He grew up in London in a Polish family and was drawn to a life of crime and gangs from an early age. Now in his thirties he has left that world behind and is recapturing his life through writing. He has published short stories in Vice and recently took part in our Show & Tell – inspiring mini talks series. Listen to his talk below…

Gabriel gave a talk at Show and Tell at All Points East Festival in 2019

The blurb describes the book best:

This life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.

This is a story of a London you won’t find in any guidebooks.

This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.

This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.

This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.

This is about the boredom, the rush, the despair, the fear and the hope.

This is about what’s left behind.’

About Gabriel

Gabriel Krauze came of age among the high rises and back streets of South Kilburn. He was not an observer on the periphery of violence. He was – personally – heavily involved in gangs, drugs, guns, stabbing and robbery – all while completing an English degree at Queen Mary University of London in 2009.

Who They Was comes directly from that experience and as such it is confronting, exhilarating, morally complex, and utterly unique. 

Quotes about the novel include:

‘An astonishingly powerful book. Krauze is an immense new talent’  Cathy Rentzenbrink, author of The Last Act of Love

‘A timely and vital exploration into London’s violence crisis by someone who experienced the sharp end of it. I cannot conjure another work which captures this culture in such depth – or with such brutal honesty – as only lived experience can tell. ’ Graeme Armstrong, author of The Young Team

‘Gabriel Krauze is an unbelievably talented writer. No one manages to blend “literary beauty” and “an uncomfortable feeling that he’s actually quite scary” like him’ Joel Golby

Pre-order the book and more links

Karina Lickorish Quinn (PhD at QMUL)’s debut novel Mancharisqa to be published by Oneworld

Creative Writing PhD Karina Lickorish Quinn’s debut novel Mancharisqa, or The Dust Never Settles will be published by Juliet Mabey at Oneworld Publications after a competitive auction.

Mancharisqa is an ambitious and formally inventive literary epic about haunting and counterhistories, adopting the traditional Andean concept of cyclical time in a manner reminiscent of One Hundred Years of Solitude, and the novels of Bolaño, suffused with the surreal atmosphere of Ishiguro’s The Unconsoled.

Mancharisqa formed part of Karina’ PhD thesis, which she completed at School of English and Drama at Queen Mary University of London under the supervision of Director of Creative Writing, Professor Patrick Flanery and Head of English, Dr Rachael Gilmour.

Anaïs Echeverría Gest flies to Lima to oversee the sale of her childhood home, La Casa Echeverría. It is a house full of ghosts, literal and otherwise, of her ancestors and of the maid who fell to her death from its balcony, around whom myths circulate and from whom miracles are sought. Everything that happens – in Anaïs’s childhood, her return to the house in the present day, and in all the stories in between – begins to overlap until the stories are all inextricably entwined. The novel ends with a birth, an earthquake, and the discovery of something disturbing beneath that cursed yellow house on the hill – the past will not remain silent and the ancestors demand to be reckoned with.

Juliet Mabey, the acquiring editor at Oneworld, comments, ‘I fell completely and utterly in love with this mesmerising, intense, multi-layered novel as soon as I started reading. The tone is wonderfully mystical and haunting, with echoes of other great Latin American writers without feeling remotely derivative. A stunningly original saga of an expansive, complex, troubled family in Peru, it is conveyed with a lightness of touch that belies its debut status, and I could not be more thrilled to feature Karina’s astonishing writing on my literary fiction list. There is really nothing else like it.’

“I’m thrilled to be joining Oneworld and their list of remarkable, talented authors. I have long admired Juliet Mabey and Oneworld for their commitment to introducing readers to a range of cultures and voices from across the world. And thank you to my wonderful agent, Seren Adams, for believing in me and my work. Mancharisqa could not have found a better home.”

Karina is a bilingual, Peruvian-British writer. She has a BA from Oxford University, an MA from UCL, and recently completed her PhD in Creative Writing here at Queen Mary University of London. Her short fiction is featured in Un Nuevo Sol, the first major anthology of British-Latinx writers, published by Flipped Eye Publishing. Her work has also appeared in Longitūdinēs, The Offing, Asymptote, The Journal of Latina Critical Feminism, and Palabritas. In 2016 she was shortlisted for The White Review’s short story prize.

Queen Mary Network: Get free eMentoring and meet other QMUL students, alumni & staff

The Queen Mary Network enables you to:

Benefit from careers expertise and advice by directly reaching out to alumni who may work in an industry/ organisation of interest to you.

As part of the “eMentor” service, you could also gain support with the following:

  • CV Review
  • Job application advice
  • Careers related advice by email or telephone
  • Work experience/ Work Shadowing/ Internship and Job opportunities
  • Joining the Network is simple and only takes a few minutes, you can even sync your LinkedIn profile to register.

Join the Queen Mary Network today

English and Drama Newsletter – July 2020 Edition

Welcome to July 2020 from English and Drama at Queen Mary.

Virtual Celebration: Next month we’re celebrating our class of 2020 with a virtual event on 5 August. Final year students can register here

NSS: We have donated £175 each to World Wildlife Fund and Student Minds on behalf of our students for completing the National Student Survey. Thanks to everyone who completed this!

New Head of Drama: We would also like to welcome Professor Dominic Johnson (pictured above left) as our new Head of Drama. Read more about his work in the interview here.


Our student of the month for July is English student Eve Bolton.

Online Events

OPEN DAY RELOADED

Virtual Open Day – for 2021+ Applicants
Friday 17 July 2020, 1-4pm BST, Online

We’re offering another opportunity for prospective undergraduate students to explore our courses and get their questions answered.

Register here

LISTINGS

Performance, Possession & Automation

Performance, Possession & Automation Series
Read more about the series

Automation & Cultural Production
17 July, 6-8pm (BST), Online
– Free
Seb Franklin and Annie McClanahan join Nick Ridout (Drama) for a conversation about automation and cultural production.
Register here

Possession & Performance
24 July, 6-8pm (BST), Online
– Free
Paul C. Johnson and Rebecca Schneider join Nick Ridout for a conversation about possession and performance. 
Register here

Possession & Subjectivity
31 July, 6-8 pm (BST), Online – Free
Kyla Wazana Tompkins and Roberto Strongman join Nick Ridout for a conversation about possession and subjectivity.
Register here

Porch Sitting

Online Porch Sitting – Split Britches
28 July, Online – Free via Barbican
Join queer-feminist theatre icon, Lois Weaver (Drama), in this re-imagined online version of her Porch Sitting. Sit, think, dream, wonder and take part in conversation around our collective future. Photo by Alex Legge (Drama alumna).
Find out more

BOOK AHEAD

Utopian Bloomsbury
Sunday 18 October 2020, Bloomsbury

Bloomsbury has at times in its history been much associated with visionary, utopian thinking and writing. This walk with Dr Matthew Ingleby will explore that history.
From socialists and anarchists to feminists and queer artists, the neighbourhood has inspired a distinctly futural imagination, which has allowed readers to see how things might be, not only what they empirically, provably are.

FREE – but pre-booking is essential.

Register here

News & Links

Bim Adeyemi and Dee Ndumiso (Drama Master’s Students) have made a powerful video about Black Lives Matter and the Why We Kneel campaign.

Watch here

Arts & Culture at QMUL have a range of support for artists throught the Queen Mary Arts & Culture Support Centre.

Find out more

Nadia Atia (English) and Malachi McIntosh (Wasafiri Magazine based at QMUL) presented on Iraq and Teaching Migration and Empire respectively at British Empire in English Studies event at University of Kent.

Read more here

Julie Rose Bower

Julie Rose Bower has had her second ASMR video published by Victoria and Albert Museum and it features work using our Drama department’s very one ambisonic microphone. This video has costumes worn by Vivien Leigh, Sandie Shaw, PJ Harvey, Belinda Wright and Adzogbo dancers. JRB was also  named as one of the artists you need to know for ‘carving out space to reflect on the world today’ in Elephant magazine.

Watch here

Jerry Brotton

Jerry Brotton (English)’s Mapping the Future programme is on BBC iPlayer now. In the programme he navigates the transformation from paper to digital mapping, from print to pixels, asks what is being gained and lost and in whose interests the evolution serves.

Listen here

Dr Duckie

Dr Duckie aka Ben Walters (Drama PhD)’s Dr Duckie website is full of useful information about the project focused on the concept of ‘Homemade Mutant Hope Machines’ – a way of describing how people without much clout can start to build better worlds on their own terms.

See more here

Seoul Searching

Feather Pen (Blog by English student Aysel Kasap) are pleased to announce their new travel column, Seoul Searching by Ruby Punt, a QMUL student about her year abroad in South Korea! New entries are coming every month starting from July 15 on featherpenblog.com.

Georgia Haseldine (English) has written a piece called Pandemic Objects: Cash for Victoria and Albert Museum and The virtues and vices of virtual museum tours for Apollo Magazine.

Olga Kravchenko (Drama alumna) is interviewed by our alumni team on her about being CEO of Musemio, a virtual reality app that connects children with content from museums around the world and seeks to turn them into museumgoers of the future.

Read the interview

Peach July

PEACH Magazine has officially opened up for applications for their 2020/21 committee. If you are interested in being part of the only Queen Mary Student Medium that is solely dedicated to publishing students’ creative expressions, then click here to learn more about the different roles and how to apply. The deadline to apply is 31 July 2020, 11.59 pm. You can also follow PEACH on: Instagram / Twitter / Facebook.

Charlie Pullen (English PhD) shared a touching tribute by Lynsey Hanley in the 90s about English at Queen Mary in this tweet.

Nisha Ramayya

Nisha Ramayya (Creative Writing) has a short essay in Frieze Magazine: Rethinking Community in the Wake of the Pandemic and has wrote a review in Map.

Sh!t Theatre (Drama graduates)’s award-winning show Letters to Windsor House is streaming until 27 July. It costs just £4 to stream on demand and £1 from every rental goes to Shelter!

Stream now

Stage 3 Theatre Company:Stage3 Extended is a platform which continues to encourage activism through creative responses for an extended week after a commemorating event has occurred.
We believe that we should keep the activist momentum alive.
Their first project was ‘Refugee Week Extended’ and this Saturday (11 July) they are launching the next one –  ‘Remembering Srebrenica Extended’. Stage 3 Company is a performance-based activist group, tackling a vast range of political, social and humanitarian issues from immigration and discrimination to identity, belonging and empathy. Established in April 2018, as part of STAGES (PPP, QMUL), the group has since then performed at numerous venues around the UK. 

For more info follow on Facebook and Instagram

Barbara Taylor (English/History) had her Solitary Citizens: The Politics of Loneliness piece is published in the Guardian. The Solitudes blog has all new content here and for those interested in the poetry of Denise Riley, Barbara has published an open access piece here.

The Common Room

Rosie Vincent (Drama Alumna) and her organisation Roman Road Trust’s Transform The Common Room campaign successfully reached target to provide a new community space. After receiving the maximum pledge of £50,000 from the Mayor of London, they then received an amazing pledge of £10,000 from the Tower Hamlets Innovation Fund and then a brilliant pledge of £5,000 from the Centre for Public Engagement at QMUL!

Read more

Jeremy Weller (Drama Master’s Student)’s work for Beyond Walls around art and mental health including an NHS Residency and Edinburgh Festival 2018 Production: Where it hurts is available to explore online here. Find out more about his work on his website and Instagram.

Performance, Possession & Automation Conversations

Performance, Possession & Automation – a collaborative research project led by Nick Ridout and Orlagh Woods, in collaboration with Joe KelleherFiona Templeton and Simon Vincenzi – invites you to three online conversations.

Automation & Cultural Production

17 July, 6-8pm (BST)

Online

Seb Franklin and Annie McClanahan join Nick Ridout for a conversation about automation and cultural production.


Instead of imagining a future in which our lives are managed for us by robots or AI, it may be time to think instead about how automation is already deeply embedded in our everyday lives. Automation is not replacing human beings, but it may be changing how we work and act, and how we think and feel about ourselves and other people. 


Click
 here, to book your place and for further information.

https://www.eventbrite.co.uk/e/automation-cultural-production-tickets-111014990826

Possession & Performance

24 July, 6-8 pm (BST)

Online

Paul C. Johnson and Rebecca Schneider join Nick Ridout for a conversation about possession and performance. 


What if possession is a totally modern idea? Could it be a way for people who live modern lives in a supposedly secular culture to describe modes of being that don’t fit with their ideas of what it is to be yourself? How does performance help us think about possession? Are performance and possession both ways of becoming an automated or programmed self? 

Click here, to book your place and for further information.

https://www.eventbrite.co.uk/e/possession-performance-tickets-111141593498

Possession & Subjectivity

31 July, 6-8 pm (BST)

Online

Kyla Wazana Tompkins and Roberto Strongman join Nick Ridout for a conversation about possession and subjectivity.

Might possession and other experiences in which people seem to lose control of themselves – like intoxication or narcosis – expand our understanding of what it means to be a subject, beyond the bounded subjectivity assumed and promoted in so-called ‘Enlightenment’ thought? Do subjects always and everywhere have to fit neatly into bodies?

Click here to book your place and for further information.

https://www.eventbrite.co.uk/e/possession-subjectivity-tickets-112942568262

Performance, Possession & Automation is a research project exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about performance contribute to thinking about these ideas?

This project is supported through the Collaborations Fund of the Faculty of Humanities and Social Sciences and The Centre for Public Engagement, Queen Mary University of London in partnership with Fierce Festival and Hampstead Theatre.

Drama Alumna led project: Transform The Common Room exceeds fundraising target after receiving backing from Mayor of London, Tower Hamlets Council and 250 local people

Roman Road Trust (Director is Drama Alumna Rosie Vincent) & Public Works’ Crowdfund London campaign to Transform The Common Room reached beyond target and finished with £81,721 after receiving pledges from Mayor of London, Tower Hamlets Council, Queen Mary University of London, and over 250 pledges from local people.

The campaign was launched in January 2020 to turn The Common Room from a deteriorating space into a fully-functional cultural learning facility for local people. The vision is for local people to access high quality community learning in partnership with cultural and educational organisations. The original target was £74,000.

The Common Room is a grassroots project that was initiated by the community of Roman Road in 2014. The space has been managed and led by local people for the past six years. The Common Room is a valuable resource for many groups, individuals, and surrounding organisations.

Transform The Common Room is part of Crowdfund London – the programme delivered by the Mayor of London and Spacehive aimed at backing Londoner’s ideas for improving their local area with funding and support.

After receiving over 150 pledges from local people in the first two months, Transform The Common Room was awarded the maximum pledge of £50,000 from Mayor of London in March 2020.

Following this, Transform The Common Room continued to gain momentum leading to a further 100 pledges. 15 of which were from local businesses who collectively raised £4,095 towards the campaign despite the current challenges facing businesses due to Covid-19.

During the final days of the campaign, Transform The Common Room was awarded the maximum pledge of £10k from the Tower Hamlets Innovation Fund. This was then followed by a £5,000 pledge from the Centre for Public Engagement at Queen Mary University of London on the very last day.

Rosie Vincent, Managing Director of Roman Road Trust and QMUL drama alumna said:

“We have been truly overwhelmed by the support shown by local people and neighbouring organisations.

“Receiving the maximum pledge of £50k from the Mayor of London as well as the maximum pledge of £10k from Tower Hamlets Council proves how vital this project is for our community and Roman Road high street.

“The Common Room is a project that has been trying to happen for over six years. We are very proud to know our 253 backers also agree it is time for this space to become what it truly deserves to be.”

The Common Room is scheduled to be ready in Summer 2021. Roman Road Trust is now developing the first wave of Learning Programmes to be delivered in The Common Room. If you would like to be involved or help the project please email: hello@romanroadtrust.co.uk

Student of the month: Eve Bolton – BA English

A scouser in London, with impeccable music taste and fashion sense.

Tell us about your time at QMUL. What have been your highlights?

Presenting and creating social media content for QM’s radio station, Quest. Making lots of lovely friends.

How has your course at Queen Mary helped you to progress into the world outside? What’s next?

I hope to have a career in broadcast journalism, particularly radio.

Aside from course content what have been your favourite elements of the experience of studying here as a whole?

My friends.

Tell us about your life outside Queen Mary including any projects, ambitions or jobs you’ve had.

I work in the Wetherspoons on Mile End Road and I have an internship with the BBC.

What could be improved to enhance future students’ experience at Queen Mary?

Improved information on what we should be reading over the summer for the next semester.

Find out more about our BA English

Courses still open in English and Drama for 2020 Entry

We currently have availability on the following courses and would love to hear from you if you’re thinking about starting this September.

To find out more:

  1. Join our Results Day and Clearing Webinars
  2. Email us for a call back.
  3. Call the clearing hotline: +44 0800 376 1800
  4. Register your interest online

Undergraduate (Clearing via UCAS)


Postgraduate (Direct Application)


Drama ‘Ask an Academic’ Webinar for Offer Holders inc. Inspiring Resources

On 10 June 2020 we hosted an event for 2020 Drama offer holders with Dr Shane Boyle our Director of Admissions for Drama, Thyrza a Drama student, Faisal Abul from Admissions, Lara Fothergill School Manager and Rupert Dannreuther from Marketing.

Main picture from a performance by Francis Dubem Udemezue

Scroll down for the recording and our collaborative reading/watch lists.

Webinar Recording


Inspiring Resources

Please remember these are just informal suggestions and any preparation for your modules will be communicated later on.

Bechdel Theatre
  1. BLOG: Exeunt Magazine – A critical look at theatre and performance.
  2. BOOK: Theatre & Book Series are great introductions to key themes including titles by our very own Jen Harvie’s Theatre & the City, our current Head of Drama Caoimhe McAvinchey’s Theatre & Prison and Theatre & the Visual by our incoming head of Drama Dominic Johnson.
  3. FESTIVAL: BBC Culture in Quarantine – talks, performances and videos all online.
  4. FESTIVAL/INTERACTIVE: Paper Stages by Forest Fringe – an interactive downloadable PDF to make something during lockdown.
  5. PERFORMANCES ONLINE: National Theatre at Home – inspiring performances from the National Theatre.
  6. PODCAST: Stage Left with Jen Harvie – A podcast by our very own Jen Harvie with inspiring theatre and performance makers about their work.
  7. PODCAST: Bechdel Theatre – Beth Watson and Pippa Sa (QMUL alumna) talk gender representation on stage with a different special guest on each episode
Stage Left with Jen Harvie

This list is not exhaustive by any means there’s also a great list by London Drama here of good resources so do check it out!

Need more information?